Thursday, January 29, 2009

Poetry Friday: Tales From Outer Suburbia

Tales from Outer Suburbia by Shaun Tan is one of those books you wander through and marvel at the sights along the way.  What IS it? one is tempted to say. Nominally, it's a collection of short stories and poems, but it reminds me more than anything else of the cantina scene in the original Star Wars. Perfectly weird in every way.  Characters with depth of story behind them and a sense of humor around them. And you can't take it all in on the first viewing.

My favorite discovery was his story/poem, "Distant Rain," which he says was done in "pencil, acrylic, oil & paper collage, using other people’s handwriting." In it, abandoned words gather, form a semi-cognizant mass, and then rain from the sky, transforming the world below. If that's not a description of the poetry-making process, I don't know what is.

The poem begins like this:

Have you ever wondered
what happens to all the poems
people write?

the poems they never
let anyone else read?

and continues later with...

naturally many poems 
are immediately destroyed
burnt
shredded
flushed away
occasionally they are folded
into little squares
and wedged under the corner of
an unstable piece of furniture

The poem then rolls on over six pages (two of them wordless) before concluding with:

No one will be able to explain the
strange feeling of weightlessness
or the private smile 
that remains
after the street sweepers 
have come and gone. 

But what I'm leaving out (and you'll have to see the book to appreciate) is how these words are placed on the page. The poem itself is a collage of word scraps, which makes the whole thing read like you're piecing it together in the aftermath of a paper storm.

Here's the last page of the poem.


Spread from Tales From Outer Suburbia © 2008 by Shaun Tan. Published by Arthur A. Levine Books. Posted with permission of illustrator. All rights reserved.

Shaun Tan also says on his site:
"This idea began when I was thinking about Jewish stories of the Golem, an artificial being made of clay that could be animated by spoken or written words (‘golem’ in Hebrew means ‘shapeless mass’, also ‘unformed’ or ‘imperfect’). This lead to the idea of a being made out of words – particularly those written on scraps of paper, thrown away or lost. Eventually the story evolved into something a little like the narrative of a wildlife-documentary, and the ‘paper being’ simply became a large ball with some kind of vague consciousness."
 (More thoughts from him are here. Click on the book and then the comments link.)

Do I Know What's Going to Happen?

Whenever I tell people that I'm a writer, one of the things they want to know is: do I know what's going to happen in my books as I'm writing them?  

I think it's an excellent question, but I wonder why so many people think to ask it. It may be because Stephen King said some place some time that he doesn't. Doesn't know. Doesn't outline. (Can someone confirm that?) So perhaps it's a little mojo test when they ask me. 

Test or not, I always tell people when they ask the outline question: No. No, I like to be surprised. I should outline, but I don't. I can't. No, really. I couldn't possibly.

Except that this week, I'm outlining my WIP.  What I'm hoping is this: If I have all the sequencing stuff that drives me crazy out of the way,  I can go wild with the language and the other juicy stuff.  It'll be like the poetry forms I've been playing with lately, sonnets and sestinas. You have the end rhymes or words, you have the patterns, and then you take advantage of that structural safety net to be daring in your content.

If that doesn't work, I'm back to banging words together and seeing what happens. 

Tuesday, January 27, 2009

A not very thorough but personal look at the ALA awards

Congratulations to all the winning and honor ALA books. I'm sure someone will blog a detailed and unbiased analysis of the results, but here's my utterly personal view of some of yesterday's choice moments.

1) My editor, Cheryl Klein, edited TWO of the winning books:

A Curse as Dark as Gold by Elizabeth C. Bunce took the William C. Morris award for a debut YA novel


and Moribito: Guardian of the Spirit by Nahoko Uehashi and translated by Cathy Hirano took the Mildred Batchelder award for the "most outstanding children’s book originally published in a language other than English in a country other than the United States, and subsequently translated into English for publication in the United States."



I love it that Cheryl and Arthur A. Levine Books seek out translations and first time authors.

2) Last year, I psychically blogged about the Newbery winner, Neil Gaiman, after I heard him read from The Graveyard Book at the National Book Festival last fall. Unfortunately and non-psychically, the Festival's bookstore had long lines and thus I have no book. Here's what I said:

The session with Neil Gaiman was underway when I found the Children and Teens Pavilion, but I could've told you who was speaking without even entering, because the audience overflowing the venue was....20-somethings in funky hats and cool clothes. They absolutely didn't mind that he wasn't promoting an adult read like American Gods, but The Graveyard Book, his novel with a 14-year-old protagonist. He read a funny excerpt in which the boy seeks the help of a long-dead but still highly verbose poet. Gaiman is a natural dramatic reader. He never veers into camp, he never shortchanges a word or a pause, and he has complete confidence in his material. He took questions, and his answers were perfectly encapsulated stories, one of them involving an ancient human elbow bone. My favorite line: when talking about why he doesn't outline, he says he loves to find out what happens, except that three-quarters of the way in, he sometimes feels like "he's jumped from a plane and must knit himself a parachute on the way down."

3) I'm tickled that Marla Frazee, who is illustrating my friend Liz's next book, took a well-deserved Caldecott Honor for A Couple of Boys Have the Best Week Ever. I got to hear her speak about its creation at the SCBWI conference in L.A. last August and have been a fan ever since.



4) My book club, DC Kidlit, chose to read honored books We are the Ship and The Underneath this past year. Because of them, I don't feel like quite such a loser in the "have I read it yet?" department. We're meeting this Sunday to discuss all the books and I can't wait to hear everyone else's personal take on everything.

Because it is, isn't it? Personal. That's what makes this business great and what makes people tear their hair out. I, for one, love the excitement.