Showing posts with label Francisco X. Stork. Show all posts
Showing posts with label Francisco X. Stork. Show all posts

Tuesday, September 26, 2017

On Friends, Wolves, and Storytelling




     Today, I'm lucky to share a book birthday with my friend, Francisco Stork, whose amazing YA novel, DISAPPEARED, debuts alongside my MG one, THE WOLF HOUR. To celebrate, if you share this post about storytelling, wolves, and our friendship, and tag both of us, I will enter your name in a drawing for a hardcover copy of BOTH of our books. (I've got yours covered, Francisco!) Please comment, too, on your own path to finding your voice and your story---I'd love to hear it! (And buy/read/share Francisco's beautiful book---he is a wonder.)

     The Wolf Hour, in legend, is the hour between darkness and dawn; it’s the hour more people are said to be born into this world and more people leave it than any other —-and, if you are like me, you are often awake then, wondering if you are getting your Story right.

     Not long ago, in a nearly empty D.C. deli, I tried to bluff my way through my doubts as I shared a greasy cheesesteak sandwich with my dear friend, Francisco Stork. We were talking, as we usually do, of our families, and of the books we were working on, and of how to find courage and joy in our work. We were also talking about mental illness, and how to combat the forces that would hold us back. I told Francisco (somewhat blithely) that when I was unhappy with my life, with the way it was unfolding, with the choices I was making, I knew, underneath the angst and despair, that I could always tell myself a new Story. He looked at me then, smiled over the last of his shaved beef and gooey cheese sub, and said, kindly: and that is the definition of mental health.

     Yes. Yes, he was right. Maybe that’s why the task of telling myself that new Story seemed impossibly hard lately--- so difficult, in fact, that I felt stuck in that very Wolf Hour—-lost between dreaming and waking, and doing no good for anyone at all. When we feel that way, does Story really help? And what is Story made of, anyway?

     When I was a child, I discovered the Lang collection of fairy tales. Beneath their innocuous color names (The Green Fairy Book, The Violet Fairy Book, The Blue Fairy Book) were stories of iron shoes that tortured their owners, of mothers who sprouted noses an “ell” long, and of children who were loved less than coin shine and left to die. Certainly, there were no life instructions here, for casual cruelty and stunning beauty lived side by side. Animals and people fought and slept and morphed from one form to the other. Nothing made sense, and everything did. And I wanted to know why.

     Which, of course, we all do.

     Still—those tales at least confirmed that all was not rosy in the secret world of adults, and that I’d better learn fast if I wanted to grow up and survive. So I did. In fact, you could say that such books (along with lighter stories) raised me. I always looked to them first for answers, and foolishly thought that people who made mistakes…who strayed from life’s paths…had obviously not read the RIGHT BOOKS. And then one day, a fairy tale came looking for me.

     On that day, when I sat down to write, a wolf stole into the forest of words crowding my head. This wolf was educated and yet naive, bold and yet terrified. This wolf was filled with human-gathered facts, and yet he had no intimate experience of humans at all. In fact, like me, he had largely been raised by books. And like me, he didn’t know the dark role he was rumored to play in the world. (What? You think writers don’t have a dark role to play? We write about everything the world wishes to keep hidden.)

     Luckily for this wolf (and for me!) there was also a girl who lived nearby. She, too, battled rumor, secrets, and lies. She, too, rejected the role the world said she should play. And she believed her hunger for more made her alone.

     Which, of course, we all believe.

What then if the two of them—the wolf and the girl—met, smack in the middle of a REAL fairy tale? A tale with strong ideas about how each of them would fit, and what each would do, and how each would look at the other? Why, then…they would have to fight the story the world wanted to tell about them. They would have to make and re-make their tale until it rang true. They would have to grow up and into their own Story.

     Which, of course, we all must.

     I’m sure this is why Francisco didn’t laugh at me in that deli when I claimed to know how to slay the beast. He even paid for my sandwich. And sent me an encouraging email the next week.

     I still have questions about Story. About why on some days everything seems to make sense, and then the next day, nothing does. And I’m never quite sure what to do with my hunger to be more than what I am. But I do know this: That if life’s dangers are real, so are the true friends. The ones who will eat cheesesteaks with you, and tell you a Story of their own. For the best weapon against the darkness has always been not just Story—but Story told to— and with—-and for the love of— our fellow tellers.

     May we never cease the telling.


(Crossposted to Facebook: 
https://www.facebook.com/saralewisholmes/posts/10155616043211420)

Thursday, October 6, 2011

Francisco Stork at DC Public Library

This one almost slipped by me:

Francisco Stork, author of the much loved YA books, Marcelo in the Real World and The Last Summer of the Death Warriors, is speaking at the downtown DC Public Library, MLK Branch, this Saturday at 1:30.  The topic is "Writing about disAbilities," and like his books, he will charm you with his humble manner and humor and empathy.

Details (what little there are) are on the DC Library site.

If you'd like to know more about Francisco, I shared the quiet goodness of his blog and his poetry for Poetry Friday here and again here, and I wrote, very passionately, about his Marcelo in the Real World right here.

I have yet to write about how moved I was by The Last Summer of the Death Warriors, but I'll say that I read it many, many months ago, and even now, I can close my eyes and think of certain scenes, and sometimes those characters pop into my head and talk to me. Encourage me, really. If you haven't read his work, you are losing out on feeling that much more alive today.





Friday, September 17, 2010

Poetry Friday: You might have missed

You might have missed this quote from Franz Kafka, via Kurt Scaletta on Facebook:

We need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us. - Franz Kafka

You might have missed this glorious poem at Francisco Stork's journal, which he posted on an ordinary Tuesday in June.

Inspiration


Do not worry that your love’s beauty
Will dazzle me,
Blind me,
Keep me
From my daily bread.

Do not worry that the bursting
Notes of your anvil
Will stun me to dead stillness.



Taken together, this quote and this poem, make me believe that each book, each poem is a chance to die . . . and rise, living again.

Don't miss that chance.

Poetry Friday is hosted today at Wild Rose Reader

Friday, April 2, 2010

Poetry Friday: Francisco X. Stork

"In my grandfather’s house, la casa de mi abuelito, the roof was made of tin and so the rain made sounds that, depending on the force of the rain, resembled anything from dozen ballerinas tip toeing to a million marbles dropping out of a big bag in the sky. Even as a six-year-old, I liked the rain. I liked it when it rained so hard that the noise absorbed all my thoughts and there was this delicious mixture of fear and safety." ---Francisco X. Stork, in his blog entry, Rain

Many of you know Francisco from his novel, Marcelo in the Real World, which I blogged my devotion to here. And you might say that fear and safety are entwined in the choices Marcelo must make to live in the real world.

But today, I'm featuring Francisco's poetry, which also asks us to think about our continual longing to be open, to be unafraid, in a world that urges us to chose safety above all else. He told me that I could share his words as I wished, but I'm only giving you the beginning of The Song here, because I'd like you to read the rest at his blog. So you'll stay over there awhile and browse through his journal. And listen to his thoughts mixed up with the rain. Waiting in Darkness and The Six Perfections of Writing are good places to begin.


The Song

It is not logical to hear such a melody
this late spring
when the rains are still cold.
I had to stop when it first came,
its beckoning unrecognizable
or too familiar.

How can the frozen earth not
crack
to such song?

the rest is here

Poetry Friday is hosted today by Book Aunt.